A Film Critic's Journal - Bicycle Thieves

Vittorio De Sica directed bicycle Thieves, and Luigi Bartolini wrote the story. Bicycle Thieves is one of the greatest films in the history of cinema. It inspired millions of filmmakers and still stands as one of the great influential films in world film history. It is a new realistic drama film - a classic genre of all time. Bicycle Thieves is more than a soul where you can encounter an emotion that freezes your feelings and makes a different impression on life. This film captures the struggle of a man whose bicycle will be stolen by a person, and the situation will push him to the crisis where he will lose his job if he gets the bike back. The story moves with the characters of Antonio Ricci and Bruno Ricci in the lead. The father and the son will be travelling to the city to find the bicycle. The middle portions project the character of Recci suffering to hold the suit of survival, and towards the end, the characterisation reaches its arc.   

The film will start with a positive approach and get with the plot firmly. Alessandro Cicognini lands his music on the screenplay as flat as a pancake. The music does a warm stirring across the emotions when the characters perform an act that holds the mood for the scene, and it clicks down the proper dramatic expression on the actors. Carlo Montuori cinematography reaches its peak when framing the actors with regular angles, yet the cinematography looks eccentric. 

Vittorio De Sica leaves the audience to witness the pain of a gentleman struggling out in the streets. The struggles between the sequences to the characters are well established, particularly in a short expressive manner. The desperation of a father, a man, is well defined in the familiar grounds through the character.