Amelie - She will change your life
Directed by Jean-Pierre Jeunet, Amelie is the most incredible piece of art in modern French cinema. Amelie is a strange kind of plot because of the different types of characterizations and stories behind them. The film gets into each of the characters through the lead character of Amelie, played by Audrey Tautou. Jeunet tries to elevate the dramatic elements with the angle of drama and comedy. The story revolves around Amelie, an introverted girl in the town, and how she makes slight changes in the life of others that turns out to be a bliss. Also, the story reveals the love side of her and portrays how she approaches him. Amelie is very distinctive, and the way she interrupts quietly through people's lives looks very spunky. Sometimes, she seems eccentric yet lovely, and the plot carries away the dramatic sequences in a most pleasant way that we cannot feel any lack in the story's pace.
Jean-Pierre Jeunet makes this a world of Amelie with its nature of strangeness and allure. Guillaume Laurant's screenplay does make the film colorful and mystifying. Amelie became a genuine masterpiece with its screenplay and character plots. Each character plays its features on the screen to develop a close relationship with each of its characteristics. The painter's character, Raymond Dufayel, plays a critical point and a subtle character in the story. Nino Quincampoix, played by Mathieu Kassovitz, becomes as pretty as a picture by its unintentional way of innocence and exploration towards the unknown person. Amelie's hide and seek to play with Nino is one of the beautiful plots in the story, the way she keeps him on riddle to find her is very interesting, and it seems to be the unique way of expressing love or maybe developing love for someone. The entire story focuses on various aspects of life, where several events show how the character turns to travel in its arc. Amelie's attempt to make her father go world tour, returning the old metal box to the owner, helping out Lucien by scaring the bejesus out of his boss, makes the relationship work out between Joseph and Georgette and trying out each of her days to help out someone in some way around.
Amelie's world is closed by a very confined structure of people, location, and daily life events. She explores more and more; that way, the story moves around with the other characters and how their life switched differently. The gradual love concatenations between Amelie and Nino are written excellently. Jean-Pierre Jeunet's filmmaking style becomes the most vital pillar of the film. Jean-Pierre Jeunet's style falls under German expressionism and French poetic realism, and with Amelie, we can witness the movie getting into an appeal to lyrical storytelling. Bruno Delbonnel's cinematography gives an aesthetic approach where we can contemplate with every frame and find beautiful details of framing and compositions. His color palette offers a visual appeal to the film, whereas he used most of the warm and bright color palettes. Yann Tiersen's background score lit up each scene and gave a taste of an excellent apple to the film. He touches the emotions with the scores and often tries to elevate the connections between the characters with the story.
Amelie is charming, eccentric, and overwhelmingly lovely.


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